How To Tuck My Six

The struggle around how to tuck my six (er eight) is fact, y’all — for realz!

This is about my penis, so if that bothers you or requires a trigger warning, you may have to miss this one, ‘cause it is all about the lower-case “d” in my panties. There’s tucking involved, but this is way more about the attention, frustration, and general usage of the genitals I was born with—genitals that have led to much confusion, however way more delight. I struggle to talk about my dick. I struggle about what to call it. Is it really a dick, or is it something else now that the Spiro (Spironolactone , the testosterone blocker I take twice daily) has made it basically a giant clitoris, serving no function but to bring me pleasure from correct stimulation. I was taught my “pee-pee” was a “boy’s” thing. Other boys were willing to see past my Weiner dog, pretending I was girl friend in the bushes (or the bathroom or the closet). It’s been a mixed bag. As I consider the possibility of having it removed, I weigh the past pros and cons of having a penis.

My penis does feel very good. The sensitive cluster of nerves are a turbo boost to my arousal. Since HRT (hormone replacement therapy), I’ve experienced increased sensitivity, especially the underside, close to the tip. I don’t always want it handled by other people. Sometimes, I prefer to keep the touching of my magic stick to myself. I want my lower privates touched precisely and gently. I want them touched like a flower, not like a club. I’ve had some concern I’d lose that fun feeling in my reformed “wee-wee” after genital reconstruction (a vaginoplasty). I don’t fear that anymore. I have faith my surgeon will do their best to make sure to give me a vagina that works as expected. For my own pleasure alone, it’s either a wash—both options will feel good—or benefits line up in favor of a vagina for the gender affirming impact.

The idea of castration being affirming runs counter to non-binary theory. Women have penises. I know this because I am one of them. It shouldn’t matter that I don’t have a vagina. I could opt to work internally through therapy or other psychological approach, to embrace my dick. I might even succeed. That exercise doesn’t sound nearly as fun as looking down and having what I see between my legs tell a more traditional story—one that requires much less explanation. The body is not an apology and requires no explanation. Requests come along with accompanying interrogation , and fielding all of that is emotional labor I’d be relieved to put down (or try).

Most of the men—I sleep with a lot of people, I’m a proud slut—but the men, for the most part, identify as straight, while at the same time expressing a preference for putting my penis in their mouths, or other opening of theirs. It’s a popular meme these days—men who want to be “pegged” or have the urge to suck trans girl fore-genitalia. These men would be disappointed, or surely less engaged, if I lost that extra something . I myself have developed a taste for play with Dom tops who coax me into a pegging session where I get to pound them. I would miss that kind of sexual novelty as a girl with one.

It’s not all about the sex. My gender is barely linked to who I like to have sex with. Even fantasizing about sex with a woman, I envision a woman (me) engaged intimately with another woman (usually with me in the sub role). One of my current relationships is with a trans femme. I don’t “play man” when I’m with her/xe, nor does ze express a desire for me to do so. The sex is important. I’m not certain I’m ready to surgically correct for sexual gratification alone, but I am tempted to auction off first crack at penetrating my brand new snatch to the highest bidder. That’d be a boss f-ing move. It’ll probably cover the cost of the procedure.

—Notorious Pink

Pink Flowers

Pink Flowers is a Black trans artist, activist and educator, whose work is rooted in ancient shamanic, African trickster, and Brazilian Joker traditions. Pink uses Theater of the Oppressed, Art of Hosting, Navajo Peacemaking and other anti-oppression techniques, as the foundation of their theater-making, mediation, problem-solving and group healing practices.

She is the founder of Award-winning Falconworks Theater Company, which uses popular theater to build capacities for civic engagement and social change. She has received broad recognition, numerous awards, and citations for their community service. She has been a faculty member at Montclair State University, Pace University, and a company member of Shakespeare in Detroit.

Pink is currently in Providence Rhode Island teaching directing for the Brown/Trinity MFA program, while also directing the Brown University production of Aleshea Harris’s award-winning What To Send Up When It Goes Down. Get performance detail here.

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