Shakespeare? Bitch, Sit Down!

Now that y’all know I’m related to Shakespeare, can I please play Hamlet — for realz?

No, actually that one is not really for real. I’m too old to play Hamlet and, really, who wants to work that hard? I’ve caught shade my whole career from harsh ass critics (the kind who write reviews) who didn’t think anyone darker than Laurence Olivier in blackface should do “the classics.” What, somehow because Black people didn’t originate from the country that Shakespeare came from, we somehow will never be able to catch a beat? Has anyone heard of Def Poetry Jam?

Wealthy Africans traveled and hung out England in the 1500s, including at the royal court. Black people are also kick ass poets—the kind “regular” folks flock to listen too. What you think made groundlings rush the stage except those King’s Players could spit fire like Tech Nine? White people gas about Black people’s natural rhythm and bust on they self they ain’t got none. What? Suddenly, talking in rhythm, White people can keep a beat? No! It don’t work like that. Once corny, corny for life. Move.

No, but serious, y’all. There’s assumptions about who owns Anglo-culture. [Assuming an affectation] Only a finely attuned ear (pronounced AY-uh), palette or eye, can appreciate the works of the “Masters!” Puh-leez! Western culture thrives on appropriation, claiming to improve everything it touches (waters down). A non-Westerner borrows from the classical canon and you’d think White folks were at a grade school dance recital (“Aren’t they so cute!”). Ahem...Hamilton.

Bitchez, y’all all come from Africa. Anything you do was already stole. You was stole! If you weren’t born in the cradle of civilization you’re an immigrant. You just forgot where your ass came from. There’s even (gasp!) Africans born with blonde hair, without European intervention (look up Melanesians). Not to boast, but everything was in Africa before it went out into the world, including language. Facts.

I’m a raise hell, now. “What? you’re not a direct descendant and you’re doing Shakespeare? Bitch, sit down!”

Pink Flowers

Pink Flowers is a Black trans artist, activist and educator, whose work is rooted in ancient shamanic, African trickster, and Brazilian Joker traditions. Pink uses Theater of the Oppressed, Art of Hosting, Navajo Peacemaking and other anti-oppression techniques, as the foundation of their theater-making, mediation, problem-solving and group healing practices.

She is the founder of Award-winning Falconworks Theater Company, which uses popular theater to build capacities for civic engagement and social change. She has received broad recognition, numerous awards, and citations for their community service. She has been a faculty member at Montclair State University, Pace University, and a company member of Shakespeare in Detroit.

Pink is currently in Providence Rhode Island teaching directing for the Brown/Trinity MFA program, while also directing the Brown University production of Aleshea Harris’s award-winning What To Send Up When It Goes Down. Get performance detail here.

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Hard-Wired Spirit Work

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Falling through Religions