Welcome.
I’m Pink Flowers — a Black trans artist, peacemaker, and cultural worker working at the intersection of ritual, governance, and collective transformation.
My practice draws from African diasporic spiritual traditions, trickster epistemologies, popular theatre, and restorative frameworks including Theater of the Oppressed, Art of Hosting, and Peacemaking. I design spaces where communities confront harm, reclaim agency, and build the muscle for shared power.
This site houses multiple strands of that work.
You’ll find archived essays under Rants & Essays — writing forged in the crucible of COVID, race, gender, governance, and becoming. My YouTube channel holds over 600 recorded reflections, teachings, and provocations.
If you are here for divination and ritual practice, you may schedule directly for Tarot readings and rootwork. That work is contemplative, ancestral, and community-centered — less about prediction, more about restoration.
I currently serve as Director of Education and Training for the Inter-Cooperative Council in Ann Arbor, guiding leadership development, conflict repair, and equity initiatives within a 550-member student housing cooperative. In that role, I convened The Joy Project, a summer residency exploring joy at the intersection of queer, trans, Black, and Indigenous identities.
In July 2026, I will present at the Pedagogy and Theatre of the Oppressed Conference — Democracy in the Ashes: Voices of Resistance, Songs of Transformation — at Augsburg University in Minneapolis. My work there continues a long engagement with theatre as civic practice and democracy as lived ritual.
Previous presentations include The Stretch Festival in Berlin and the Annual PTO Conference, where I led sessions on Pleasure Activism, embodiment, and collective liberation.
This is a living body of work — part altar, part laboratory, part institution.
Take what you need.
Bio
Pink Flowers is a Black trans artist, educator, peacemaker, and cultural strategist whose work bridges mysticism, governance, and collective transformation. Rooted in African diasporic spiritual traditions, trickster epistemologies, and popular theatre, she works at the intersection of ritual, power, and institutional life.
Pink integrates Theater of the Oppressed, Art of Hosting, and Navajo Peacemaking with restorative practice, systems thinking, and ancestral inquiry. Her work spans theatre-making, mediation, leadership development, and conflict repair — helping communities confront harm while strengthening their capacity for shared governance.
She is the founder of the award-winning Falconworks Theater Company, which used popular theatre to cultivate civic agency and public dialogue. Pink has served as faculty at Montclair State University and Pace University, performed with Shakespeare in Detroit, and directed productions nationally. Her work has been recognized with numerous awards and citations for community impact and cultural leadership.