Himalayan

This is a snapshot into a world I’m trying to understand, y’all — for realz!

It needed salt. Looking up, he realized the shaker was at her end. It felt intentional. She rarely used salt. It made her bloat. It sat there just out of his reach. She’d insisted on the pink Himalayan. He would have been fine with regular Morton’s Salt. He‘d been raised on that black paper cylinder with the girl in the yellow dress. Had they changed the logo. Probably. Everything he loved was being changed.

He felt constantly under attack by about everything. There was little he could do or say that wouldn’t make him a target of someone’s anger. Today was no different. It wasn’t the first time he’d expressed his opinion about that subject. In the past she would have agreed with him. Ever since those kids went out in the street breaking things she’s become a civil rights activist. They didn’t even have black friends.

He sat before a plate of organic vegetables, and gluten free pasta, in a sauce that wanted so desperately to be cheese but was not. It needed salt, any kind of salt would do, but he didn’t dare lift his vice to ask her for it. She would take it personally and things had just started to feel peaceful. She actually looked pleased. She was proud of her cooking. She normally would have been giving herself compliments or tossing him hooks to get him to praise whatever she’d made. It was always unrecognizable to him. It was always a name he could not pronounce.

She barely made a sound as she ate in silence. She was meditating. Watching her eat made burned, so he let his eyes fall back on his plate. He could feel hot tears building up and that gave him hope as at least he’d have salt in his food. The first of them fell on his fork as he brought it to his mouth. He chewed slowly and swallowed trying to keep as still as possible.

Pink Flowers

Pink Flowers is a Black trans artist, peacemaker, educator, and pleasure activist whose work lives at the intersection of embodiment, governance, and cultural transformation. Trained in Theater of the Oppressed, Art of Hosting, and Navajo-informed Peacemaking practices, Pink designs spaces where conflict can be addressed, power can be examined, and joy can be reclaimed.

Her artistic and pedagogical practice draws from African trickster cosmology, Brazilian Joker traditions, shamanic ritual, and cooperative economics. She is the founder of the award-winning Falconworks Theater Company (2005–2021), which used popular theater to build civic capacity and participatory leadership in historically marginalized communities.

Pink served for over five years as a trained Peacemaker in the Red Hook Community Justice Center in Brooklyn, facilitating restorative processes within the New York City court system. From 2015–2018, she worked in cooperative business development with the Center for Family Life, supporting worker-owned enterprises in immigrant communities.

She currently serves as Director of Education and Training for the Inter-Cooperative Council in Ann Arbor, where she leads leadership development and conflict engagement initiatives. Her work has been presented nationally and internationally, including at the Stretch Festival in Berlin and the Pedagogy and Theatre of the Oppressed Conference.

Across ritual, performance, mediation, and institutional design, Pink’s work asks a central question:

What becomes possible when we refuse shame and choose conscious power instead?

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Burn, Chicago, Burn!

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Trump Love (Take Three)