Just an Ugly Woman

I’m okay with being an “ugly” woman, y’all — for realz!

There’s some chest tightness as I dive into this one. I can feel the energy draw back as people knee jerk respond to the idea of me or anyone being considered ugly. Some of you got about two sentences in and were already in the comments to reassure me how good-looking I am. Thanks for the thought. I appreciate the sentiment. I shouldn’t need that validation and the urge people have to provide it probably has more with being in denial than a desire to comfort. That reaction is in the same ball park as color-blindness. It’s the impulse to assure someone who has a high Body Mass Index that they aren’t fat. I can be fucking ugly if I want.

We live in a society where people get labeled as unattractive, and there’s seems to be general agreement about what ugly looks like. I learned beauty the way I learned the color red. Even when I talk about Western beauty expectations as a matter of resistance, I have to have a reference in mind. I can’t describe it, but I can’t sure as hell point it out. Every time someone puts on a scary mask, they are banking on others to agree that it’s ugly and scary (okay, not equivalent, but I’m keeping it brief). I certainly have a concept of ugly and sometimes, looking at myself I see someone who fits the description.

I do not project standards. I defy standards. In that regard, I am ugly. The fact that I identify as a woman at all strikes confusion, anxiety and horror. I’ve been flat out told that I “make an ugly woman.” I’ve been told I was “clockable,” which means I do not “pass” as female. It would be unreasonable, and probably unsafe, for me to operate as if that were not the case. To write off people who think along those standards would leave me in a very very small world. That would amount to hiding. To be in the real world, I have to consider the impact of my being, in the same way people should consider the impact of their actions, regardless of their intentions.

I predict the resistance. No one is ugly. Looks don’t matter. You’re perfect the way you are. These are the rote responses we give when someone expresses doubt about the acceptability of their appearance. Those are pretty lies (literally). It’s true that people are more than the way they look. It’s also true that people who aren’t the definition of good-looking face discrimination and experience the material effects of their plainness—not getting picked. To tell that person that it doesn’t matter what they look like or, worse, to tell them that they’re gorgeous is basically gas-lightning.

No fat person ever learned to love themself by pretending they were not fat. No person of color forgets they have skin to find self-esteem under White supremacy. I have to accept the face, the age, the body, the gait that are mine and present those as the gifts they are and stop trying to see them as “beautiful.” I have to interrogate all the language associated with self-love and body-positivity. We might also stop assigning value to people, places and things based on any of these externals. Ugly doesn’t need to mean bad any more than beauty automatically denotes goodness.

Instead of trying to expand definitions of beauty to be more inclusive, perhaps I can explore more fully what it means to be ugly, which is often a catch-all word for something my eye can’t make sense of at a glance. Ugly defies what I had my heart set on having. Pretty is simple. Ugly requires discovery. Perhaps what is ugly, is simply that which requires more courage, curiosity and consideration to be appreciated for exactly what it is.

—Notorious Pink

Pink Flowers

Pink Flowers is a Black trans artist, peacemaker, educator, and pleasure activist whose work lives at the intersection of embodiment, governance, and cultural transformation. Trained in Theater of the Oppressed, Art of Hosting, and Navajo-informed Peacemaking practices, Pink designs spaces where conflict can be addressed, power can be examined, and joy can be reclaimed.

Her artistic and pedagogical practice draws from African trickster cosmology, Brazilian Joker traditions, shamanic ritual, and cooperative economics. She is the founder of the award-winning Falconworks Theater Company (2005–2021), which used popular theater to build civic capacity and participatory leadership in historically marginalized communities.

Pink served for over five years as a trained Peacemaker in the Red Hook Community Justice Center in Brooklyn, facilitating restorative processes within the New York City court system. From 2015–2018, she worked in cooperative business development with the Center for Family Life, supporting worker-owned enterprises in immigrant communities.

She currently serves as Director of Education and Training for the Inter-Cooperative Council in Ann Arbor, where she leads leadership development and conflict engagement initiatives. Her work has been presented nationally and internationally, including at the Stretch Festival in Berlin and the Pedagogy and Theatre of the Oppressed Conference.

Across ritual, performance, mediation, and institutional design, Pink’s work asks a central question:

What becomes possible when we refuse shame and choose conscious power instead?

Previous
Previous

Is Fat Phobia the New Black

Next
Next

Caution: White People