How To Tuck My Six

The struggle around how to tuck my six (er eight) is fact, y’all — for realz!

This is about my penis, so if that bothers you or requires a trigger warning, you may have to miss this one, ‘cause it is all about the lower-case “d” in my panties. There’s tucking involved, but this is way more about the attention, frustration, and general usage of the genitals I was born with—genitals that have led to much confusion, however way more delight. I struggle to talk about my dick. I struggle about what to call it. Is it really a dick, or is it something else now that the Spiro (Spironolactone , the testosterone blocker I take twice daily) has made it basically a giant clitoris, serving no function but to bring me pleasure from correct stimulation. I was taught my “pee-pee” was a “boy’s” thing. Other boys were willing to see past my Weiner dog, pretending I was girl friend in the bushes (or the bathroom or the closet). It’s been a mixed bag. As I consider the possibility of having it removed, I weigh the past pros and cons of having a penis.

My penis does feel very good. The sensitive cluster of nerves are a turbo boost to my arousal. Since HRT (hormone replacement therapy), I’ve experienced increased sensitivity, especially the underside, close to the tip. I don’t always want it handled by other people. Sometimes, I prefer to keep the touching of my magic stick to myself. I want my lower privates touched precisely and gently. I want them touched like a flower, not like a club. I’ve had some concern I’d lose that fun feeling in my reformed “wee-wee” after genital reconstruction (a vaginoplasty). I don’t fear that anymore. I have faith my surgeon will do their best to make sure to give me a vagina that works as expected. For my own pleasure alone, it’s either a wash—both options will feel good—or benefits line up in favor of a vagina for the gender affirming impact.

The idea of castration being affirming runs counter to non-binary theory. Women have penises. I know this because I am one of them. It shouldn’t matter that I don’t have a vagina. I could opt to work internally through therapy or other psychological approach, to embrace my dick. I might even succeed. That exercise doesn’t sound nearly as fun as looking down and having what I see between my legs tell a more traditional story—one that requires much less explanation. The body is not an apology and requires no explanation. Requests come along with accompanying interrogation , and fielding all of that is emotional labor I’d be relieved to put down (or try).

Most of the men—I sleep with a lot of people, I’m a proud slut—but the men, for the most part, identify as straight, while at the same time expressing a preference for putting my penis in their mouths, or other opening of theirs. It’s a popular meme these days—men who want to be “pegged” or have the urge to suck trans girl fore-genitalia. These men would be disappointed, or surely less engaged, if I lost that extra something . I myself have developed a taste for play with Dom tops who coax me into a pegging session where I get to pound them. I would miss that kind of sexual novelty as a girl with one.

It’s not all about the sex. My gender is barely linked to who I like to have sex with. Even fantasizing about sex with a woman, I envision a woman (me) engaged intimately with another woman (usually with me in the sub role). One of my current relationships is with a trans femme. I don’t “play man” when I’m with her/xe, nor does ze express a desire for me to do so. The sex is important. I’m not certain I’m ready to surgically correct for sexual gratification alone, but I am tempted to auction off first crack at penetrating my brand new snatch to the highest bidder. That’d be a boss f-ing move. It’ll probably cover the cost of the procedure.

—Notorious Pink

Pink Flowers

Pink Flowers is a Black trans artist, peacemaker, educator, and pleasure activist whose work lives at the intersection of embodiment, governance, and cultural transformation. Trained in Theater of the Oppressed, Art of Hosting, and Navajo-informed Peacemaking practices, Pink designs spaces where conflict can be addressed, power can be examined, and joy can be reclaimed.

Her artistic and pedagogical practice draws from African trickster cosmology, Brazilian Joker traditions, shamanic ritual, and cooperative economics. She is the founder of the award-winning Falconworks Theater Company (2005–2021), which used popular theater to build civic capacity and participatory leadership in historically marginalized communities.

Pink served for over five years as a trained Peacemaker in the Red Hook Community Justice Center in Brooklyn, facilitating restorative processes within the New York City court system. From 2015–2018, she worked in cooperative business development with the Center for Family Life, supporting worker-owned enterprises in immigrant communities.

She currently serves as Director of Education and Training for the Inter-Cooperative Council in Ann Arbor, where she leads leadership development and conflict engagement initiatives. Her work has been presented nationally and internationally, including at the Stretch Festival in Berlin and the Pedagogy and Theatre of the Oppressed Conference.

Across ritual, performance, mediation, and institutional design, Pink’s work asks a central question:

What becomes possible when we refuse shame and choose conscious power instead?

Previous
Previous

Good For Nothing Sex

Next
Next

The Whore Babbles On